Live Nation Entertainment Long Term Debt 2010-2022 | LYV

Live Nation Entertainment long term debt from 2010 to 2022. Long term debt can be defined as the sum of all long term debt fields.
  • Live Nation Entertainment long term debt for the quarter ending September 30, 2022 was $5.120B, a 9.97% decline year-over-year.
  • Live Nation Entertainment long term debt for 2021 was $5.145B, a 5.98% increase from 2020.
  • Live Nation Entertainment long term debt for 2020 was $4.855B, a 48.42% increase from 2019.
  • Live Nation Entertainment long term debt for 2019 was $3.271B, a 19.7% increase from 2018.
Live Nation Entertainment Annual Long Term Debt
(Millions of US $)
2021 $5,145
2020 $4,855
2019 $3,271
2018 $2,733
2017 $1,952
2016 $2,260
2015 $2,003
2014 $1,996
2013 $1,530
2012 $1,678
2011 $1,653
2010 $1,678
2009 $699
Live Nation Entertainment Quarterly Long Term Debt
(Millions of US $)
2022-09-30 $5,120
2022-06-30 $5,140
2022-03-31 $5,147
2021-12-31 $5,145
2021-09-30 $5,687
2021-06-30 $5,295
2021-03-31 $5,290
2020-12-31 $4,855
2020-09-30 $4,849
2020-06-30 $4,831
2020-03-31 $3,651
2019-12-31 $3,271
2019-09-30 $2,695
2019-06-30 $2,709
2019-03-31 $2,716
2018-12-31 $2,733
2018-09-30 $2,732
2018-06-30 $2,743
2018-03-31 $2,747
2017-12-31 $1,952
2017-09-30 $2,240
2017-06-30 $2,249
2017-03-31 $2,259
2016-12-31 $2,260
2016-09-30 $1,985
2016-06-30 $1,985
2016-03-31 $1,993
2015-12-31 $2,003
2015-09-30 $1,994
2015-06-30 $1,973
2015-03-31 $1,969
2014-12-31 $1,996
2014-09-30 $2,027
2014-06-30 $2,039
2014-03-31 $1,524
2013-12-31 $1,530
2013-09-30 $1,541
2013-06-30 $1,662
2013-03-31 $1,671
2012-12-31 $1,678
2012-09-30 $1,686
2012-06-30 $1,682
2012-03-31 $1,662
2011-12-31 $1,653
2011-09-30 $1,668
2011-06-30 $1,675
2011-03-31 $1,676
2010-12-31 $1,678
2010-09-30 $1,672
2010-06-30 $1,692
2010-03-31 $1,488
2009-12-31 $699
2009-09-30 $804
2009-06-30 $739
2009-03-31 $752
Sector Industry Market Cap Revenue
Consumer Discretionary Leisure & Recreation Services $18.424B $6.268B
Live Nation Entertainment, Inc. operates as a live entertainment company. The company owns, operates, and has exclusive booking rights for or has an equity interest in venues, which includes House of Blues music venues and prestigious locations such as The Fillmore in San Francisco, Brooklyn Bowl, the Hollywood Palladium, etc. The company operates via three segments: Concerts segment promotes live music events in its owned or operated venues and rented third-party venues; produces music festivals; makes related content; and provides management as well as other services to artists. Ticketing segment manages the ticketing operations. This segment sells tickets for its events, as well as for third-party clients in numerous live event categories. The segment's operating costs include all center costs and credit card fees, along with other costs. Sponsorship & Advertisingsegment sells international, national, and local sponsorships and placement of advertising.
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